[78] While Sinatra did not record it, the song was covered by singer Andy Williams,[79] who had been one of the many easy listening artists, along with Sinatra, to cover Harrison's "Something". Added in 24 Hours. All That is a song recorded by Canadian singer Carly Rae Jepsen for her third studio album, Emotion (2015), included as its fifth track. The other musicians on the track include keyboard players Gary Wright, whose fledgling solo career Harrison actively supported during the early 1970s, and Nicky Hopkins. Recording for "That Is All" took place in London in late 1972, following Harrison's completion of the international aid project begun the previous year with the Concert for Bangladesh. [79] The recording was produced by Richard Perry,[81] with whom Harrison worked on Ringo Starr's album Ringo in Los Angeles[82] shortly after completing Living in the Material World. Hey, the i know the song im looking for is made by papithbk and ive looked all over but i cant find the song. [1] While he considers "That Is All" to be a secular, "adult-oriented" love song, Inglis writes of Harrison's message in the middle eight: "language is insufficient to express the depth of his emotion; 'silence' can be more effective, more intimate, more loving. That Is All may refer to: That Is All, a 2011 book by John Hodgman "That Is All" (song), a 1973 song by George Harrison; See also. A slow, heavily orchestrated ballad, it is one of many Harrison love songs that appear to be directed at either a woman or a deity. It will enhance any encyclopedic page you visit with the magic of the WIKI 2 technology. [74], In his book The Beatles Solo on Apple Records, Bruce Spizer describes "That Is All" as "a beautiful love song written either for a woman or the Lord". [35], As with "Who Can See It", another of the album's ballads, Harrison recorded "That Is All" using a Leslie rotary effect on his electric guitar. That's All (disambiguation) This disambiguation page lists articles associated with the title That Is All. [68] As with eight other tracks on the album[69] and the 1973 B-side "Miss O'Dell",[70] Harrison donated his publishing royalties and the copyright[71] for "That Is All" to his Material World Charitable Foundation. [88] Author and critic Alyn Shipton comments that Nilsson's performance on "That Is All" marked a rare return to the upper-register singing style of his early career. "That Is All" is a song by English musician George Harrison released as the final track of his 1973 album Living in the Material World. [79] The recording was produced by Richard Perry,[81] with whom Harrison worked on Ringo Starr's album Ringo in Los Angeles[82] shortly after completing Living in the Material World. The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. 0 0. saint_catherine62. [39], Theologian Dale Allison views the concept of "words falling short" in these lyrics as central to "That Is All" and a recurring theme in Harrison's songwriting. Referring to its status as the last track on Living in the Material World, he also comments on the appropriateness of Harrison's opening words:[37] "That is all I want to say". Now he's being honest. [72], Writing in Melody Maker, Michael Watts described Living in the Material World as "Harrison's personal statement" documenting his journey towards "a spiritual goal which for the first time he has been able to define". Visit Tunefind for music from your favorite TV shows and movies. Harrison wrote and recorded the song during the height of his public devotion to Hinduism; on release, Rolling Stone described its lyrics as "a sort of Hindu In Paradisium".[1]. "[73] In his review for Rolling Stone, Stephen Holden praised the album's "inspirationally, opulently, romantic" qualities, and he wrote of "That Is All" and "The Day the World Gets 'Round" as "two devotional prayers whose solemn mantra-influenced melodies are barely able to sustain their lush orchestration. [52] Having long admired Spector as a producer, he employed elements of his signature production style throughout Material World,[53] but with a degree of subtlety in comparison to the big sound synonymous with All Things Must Pass. Shipton describes Nilsson's break into falsetto as being "as good as anything he ever recorded".[89]. The first recording, by Nat King Cole in 1953, achieved some popularity but was not among that year's top 20 songs. [31] The song also features string and brass orchestration and a choir,[35] all of which were arranged by John Barham. 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